Gundega Melberga
Intimate Museum

This body of research explores somatic and embodied forms of engagement through sound. What originated as the appropriation of institutional critique and began as an attempt to practice more accessible art interpretation by means of sensory-based experiences in a museum setting, evolved in light of the Covid crisis into an intimate exploration of one’s own body and being. Due to restrictions imposed by the pandemic, my methods of inquiry were intimate and the scale of my project was very small: only friends and classmates partook in it. As a result, this research not only became an exploration of the medium of sound, but also a record of my own personal journey as a practitioner moving away from formal museum education towards a more hybrid and intimate form of interaction with a small public.
For my graduation project, which took the form of an audio tour called INTIMATE MUSEUM, I developed an approach to practice-embodied and somatic learning as an alternative to what formal museum education has to offer. The tour consists of recordings and soundscapes that focus on embodied and somatic learning and meaning-making and the politics of listening, and deal with notions of space and experience. The tour is a tool to explore the notion of listening as an educational act that I test-cased with friends and fellow students at the Piet Zwart Institute and discuss in my research.
Another important aspect of this research is the quest for my own voice: along with exploring the developing practice itself, I am exploring different positions I might take in my future practice. I question my position within art education as I traverse the roles of educator, artist, curator.
Thesis:
