Cyrille Montulet
Exposed



I began my study in the Master of Education in Arts programme with the intention of learning more about the strengths and weaknesses of subjective storytelling in video journalism, and how I might implement this research in my role as a video trainer in the future. I have worked for years in the international field as a video trainer, and have witnessed young people who were very eager to become video journalists so that they could cover stories about their own community and environment and use it as a tool to advocate for their human rights. However, the media landscape and media news consumption have changed incredibly over the last decade and I wondered if my personal motivation and passion for video journalism was still appropriate for the contemporary situation. I therefore asked myself: Are my personal and professional ethical values still pertinent for teaching future video journalists, or might they hinder me?
In my research project I went on a personal journey, reflecting on my professional career as a filmmaker as well as a video trainer and coming to a conclusion about where I stand now in both roles. I wanted to learn if a more intimate and personal approach to video journalism still works nowadays, in an era marked by an influx of video news online. I reconnected with a few of my former students in Myanmar and Haiti and asked them about the impact of their past training and what ethics in video journalism means for them. I also interviewed professionals and educators in the field of citizen journalism and training in a developing country. Additionally, the female filmmaker and artist Hito Steyerl was an important point of reference, because of the strong connection I feel with her clear, critical approach in her work.
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